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Omnisphere is Spectrasonics’ flagship synthesizer – an instrument of exceptional power and versatility. Top artists around the world rely on Omnisphere as their essential source of sonic inspiration. This award-winning software blends many different types of synthesis into one amazing-sounding instrument that inspires a lifetime of exploration. Omnisphere is the only software synthesizer in the world that offers hardware synth integration capability. This remarkable innovation transforms over 65 well-known hardware synths into extensive hands-on controllers that unlock Omnisphere’s newly expanded synthesis capabilities.
Simply put, this groundbreaking feature makes using Omnisphere feel like using a hardware synth! Bridging the physical experience gap between software and hardware, users gain intuitive control over Omnisphere using the familiar layout of their supported hardware synthesizer. Virtual instrument users can now experience the joy of hardware synth workflow, and hardware synth users can fully extend their skills into the vast sonic world of Omnisphere! Omnisphere includes an amazing new “hardware library” with over 1,600 new patches created by Eric Persing and the renowned Spectrasonics Sound Development Team.
Each hardware profile contains a corresponding set of sounds in the hardware library that has been custom-built using hardware tuning as the Omnisphere controller. These inspiring new sounds feature a wide range of categories and many of them have a distinct “classic” flavor! Notably, this update takes Eric’s classic sound design work from the original 1987 Roland D-50 into an all-new audio territory with the Omnisphere’s extensive tuning capabilities. Best of all, new sounds are available to all users, regardless of whether devices are used or not!
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For many years the Omnisphere has been an essential default tool for songwriters, sound designers, and composers from EDM to cinematography, but Spectrasonics Omnisphere 2.8 software ups the ante completely with a truckload of new features that immediately caught the audience’s attention. Serious electronic musicians and synth experts here at Sweetwater. Omnisphere 2.8 includes 600 new patches, expanded hardware integration, and Arpeggiator upgrades such as new style modes, step breaks, pitch slides, and the ability to change chord sounds and reflexes with each step.
Omnisphere Synth includes the amazing new “Hardware Library” with over 1,600 new patches created by Eric Persing and the renowned Spectrasonics Sound Development Team. Each hardware profile contains a corresponding set of sounds in the hardware library that has been specifically designed using hardware tuning as a controller. These inspiring new sounds feature a wide range of categories and many of them have a distinct “classic” flavor! Notably, update 2.6 takes Eric’s classic sound design work from the original 1987 Roland D-50 into a completely new sonic area with broad tuning capabilities in the Omni sphere.
Best of all, new sounds are available to all users, regardless of whether devices are used or not! Omnisphere 2.8’s powerful synthesis engine is loaded with over 14,000 obnoxious sounds with four layers per patch, 57 powerful FX units, and more ways than you can imagine to create authentic sounds.
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New features include powerful Granular, Harmonia, and Innerspace tuning engines; the ability to intuitively zoom into the deeper levels of synthesis; Hardware integration, which turns over 30 popular compounds into practical consoles that unleash the full sonic firepower of the Omnisphere; And much more. To accompany Omnisphere 2.8’s expanded capabilities, a new, resizable, high-resolution interface puts the sounds you want and the tools you need to edit at your fingertips faster than ever before. Omnisphere 2.5 was the first soft synthesis to offer hardware integration.
which turns common synthesizers into practical consoles that unleash Omnisphere’s newly expanded synthesis capabilities — a groundbreaking feature that makes using Omnisphere just like playing a hardware synthesizer. This cutting-edge innovation bridges the gap between software and hardware, giving you intuitive control of your Omnisphere using the familiar layout to sync your favorite supported devices. Virtual machine users can finally experience the immediate hardware-based workflow; Synthesizer and instrument players can now seamlessly expand their audio horizons in the vast realm of Omnisphere.
With Omnisphere 2.8, Spectrasonics raises the bar once again by significantly increasing the number of supported synths. Omnisphere® is Spectrasonics’ flagship compound – an instrument of exceptional strength and versatility. Top artists around the world rely on Omnisphere as their primary source of sound inspiration. This award-winning software brings many different types of synthesis together into one stunning audio tool that will spark exploration for a lifetime. Package: Omnisphere 2 and video tutorial – full power from the start! Get the discounted bundle including the Hands On Omnisphere video tutorial (download/German language only!)
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With version 2.8, Omnisphere became the world’s first synthesis software to introduce hardware integration, which turns more than 30 known hardware compounds into large-scale process controllers that unleash Omnisphere’s extended synthesis capabilities. Simply put, this groundbreaking extra feature makes using the Omnisphere just like using a synthesizer! This remarkable innovation bridges the physical experience gap between software and hardware, giving users intuitive control of their Omnisphere using the familiar layout of supported hardware installation. Virtual device users can finally experience.
This remarkable innovation turns more than 65 recognized hardware manufacturers into full-scale process consoles that unleash Omnisphere’s newly expanded assembly capabilities. Simply put, this groundbreaking feature makes using the software just like using a synthesizer! Bridging the physical experience gap between software and hardware, users gain intuitive control over the Omni sphere using the familiar layout of syncing supported devices. Virtual device users can now enjoy the workflow of the composite devices and the users of the bundled devices can fully extend their capabilities in the vast audio world of the application!
- Clavia Nord Lead 1 | Clavia Nord Lead 2
- Dave Smith OB-6 | Dave Smith Prophet 12 | Dave Smith REV2
- Korg Minilog | Korg monologue | Korg Introduction
- Wave Little Patty | Moog Slim Patty | Moog Sub 37 | Moog Sub Phatty | Moog suffix 37 | Mugg Voyager
- Novation Pass Station II | Novation Circuit Mono Station | Peak regeneration
- Roland JP-08 | Roland JU-06 | Roland XJ-03 | Roland SE-02 | Roland SH-01A | Roland-1 system | Roland 1m system | Roland-8 system | Roland VP-03
- Serial Prophet 6 | The tenth prophet sequence
- study sled
- Four layers per patch!
- state variable filters
- More than 500 DSP wavetables
- Strong granular synthesis
- 8 LFOs, 12 envs, 34 filter types per part
- Doubling Mod Matrix
- Full FX mod
At the End:
- The Omnisphere was the second VST I bought, and while I was far from regretting buying it all, I can say I could have spent my money better elsewhere. I would classify it as a high-quality VST, but I can’t justify the $500 cost for what it offers the average product. I’d say, spend the money on the cheaper VSTS that’s meant for certain capabilities, and only buy Omnisphere if you’re making a $$.
- Live Instruments – The Omnisphere has an unbeatable guitar. There is a great variety and each one can either fill in the space you need or be the focal point of the mix. Strings are also great, as they have separate instruments and pads. The singing section is also very good for chorus sounds, although if you’re looking for vox pads, I’d recommend “Exhale” instead.
- Pads – If you’re into ambient soundtracks, Omnisphere has you covered. There are plenty of usable pads, whether warm or well-ventilated. Plus, it looks more modern than Sylenth, which is more designed to synthesize waves.
- Variety – There are 15,000 presets, you’re bound to find something you like in the end.
- Unusable Sounds – Although Omni comes with over ten thousand sounds, there is a very small percentage that you can use. VST is geared more towards the score of the movie, so 30% of the votes are things you could never, ever dream of doing.
- The Abominable EDM Department – While the EDM library is nothing to fear from it (think Nexus & Electra), the sounds in Omnisphere are boxy, annoying, and useless. (which is another 20% of the library flushed down the toilet)
- It can run on Microsoft Windows XP, VISTA, 7, 8, 8.1, and 10.
- It can also run on Mac OS and Linux operating systems.
- Minimum 2.0 GHz processor required.
- 512MB of RAM must be required.
- It can only work on 32 and 64 bits.
- At least a 200 MB Disk must be needed.
How to Fix/Crack?
- Download from the given link below.
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