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Final Cut Pro, Apple’s consumer and professional video editing software, is aimed at both consumers who want more power for their video editing projects than iMovie’s offering, and professionals who create content for movies and TV. She does a great job connecting these two worlds. While pros may complain about its unconventional schedule that you don’t follow, and amateurs may scratch their heads at its wealth of cutting-edge options, it’s a great tool for both groups once you research it. Despite being pricey, Final Cut Pro is still the winner of PCMag Editors’ Choice video editing software.
The latest version, 10.6, adds intelligent motion tracking, support for iPhone 13 cinematic video mode adjustment, sound isolation, duplicate clip detection, focus options for video capture in iPhone 13 cinematic mode, and performance improvements. The previous big update, 10.5, added support for Apple Silicon CPUs, the ability to automatically convert media when copying or merging a project, and searchable and downloadable user guides. Other recent notable features include Smart Conform, which uses machine learning AI to crop widescreen content to fit mobile screens and social media formats — similar to Adobe Premiere Pro’s automatic re-framework tool.
Final Cut has long since restored professional-level features that were initially missing, including multi-camera editing, XML import, and external monitor support. They are joined by several other capabilities, including 3D property and impressive flow transmission to facilitate jump-cuts. Rich support for 360-degree VR content, updated color grading tools, support for HDR and HEVC (High Efficiency Video Coding, also known as H.265) arrived in version 10.4, along with a slew of smaller tweaks and added capabilities, stability, and repairs.
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Final Cut Pro libraries allow you to keep assets together for use in multiple projects. It combines event boards with previously separate projects. Libraries are similar to catalogs in Adobe Photoshop Lightroom in that they are databases that can be backed up to a separate drive, and receive automatic backups. Fortunately, you don’t have to worry about projects you’ve built before this library arrangement: Final Cut offers a simple update option to get them with the software.
Libraries are a big part of organizing your assets, but before using them, you must import media. In fact, when importing, you can tell Final Cut to copy the media to a specific library. Within the library, the import is an event. You can select to create proxy and optimized media, analyze video for color balance, and fix audio problems on import. I have to say Adobe has made both the import and export process much more straightforward for beginners in Premiere Pro with its recently redesigned for those functions.
Helpfully, clicking on the file name brings up a large preview of its contents in the import dialog. One problem with the Import dialog is that there is no search — in case you have a large folder of clips and need to find a specific folder. Premiere Pro has a simpler import dialog, but includes a search box. Apple recently developed a format called ProRes Raw, which is identical to Adobe’s DNG still camera raw file format. It gives you access to all sensor data, which means more leeway in adjusting lighting and colors.
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Atomos recorders support the format, as does the professional-grade DJI Inspire 2 drone. Controls in the Inspector panel allow you to adjust the ISO, color temperature, and exposure shift of ProRes Raw content. When importing, you get Final Cut Pro to create enhanced media (in Apple ProRes format) and analyze it for installation issues, as well as color balance and people presence. If you choose to analyze clips, the software can create smart groups based on the type of shot (long, close, or medium) or whether the shot is stable or unstable.
In my quick test, it created a People folder, with the Group, Medium Shot, and Wide Shot smart groups underneath, and an install folder with Hyper Shake and Steady Shot groups. Final Cut Pro can import (and export) both projects and events in XML format. This means that professional video editors can transfer their work between video editing software and tools such as DaVinci Resolve from Blackmagic Design, a standard in professional video color correction. The same goes for organizing projects in the Square Box System’s CatDV, which allows teams of professionals to organize clips.
On the other end of the spectrum, you have the ability to import iMovie onto iOS projects, so you can start editing on your iPhone or iPad and continue in the desktop app. For collaborative editing, Final Cut supports Apple Xsan storage, locking files so team members don’t navigate each other’s work. You can export ProRes or H.264 content as proxy files at 50, 25 or 12.5 percent of the original size, allowing remote editors to access large projects more efficiently.
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On the other hand, Premiere Pro offers more collaboration options with Team Projects and Adobe Anywhere that takes advantage of Adobe Creative Cloud to enable simultaneous editing with conflict resolution features. In addition to the automatic clipping organization options, Final Cut Pro includes manual tags for keywords. Much like a good photo workflow app, Video Editor makes entering frequently used tags simple – you can even use keyboard shortcuts. Tagging in Final Cut Pro is still not as sophisticated as the keywording feature in Adobe Lightroom, but Premiere can only use tags through a separate Adobe Bridge manager
it does offer a lot of metadata and face detection). One of the great keyword tag options in Final Cut is that you can apply a tag to only part of a clip. You can also star, rate, or dismiss a clip from the icons at the bottom of the source tray. I’m always amazed at how many video editing apps lack this basic metadata capability.The interface features a consistent dark gray color that makes the content you’re editing the most visible thing on your screen.
- asset Management. Advanced color grading.
- Play a VR headset as well as edit a 360-degree VR video to make adjustments to the environment.
- Cut and move clips and add effects.
- HDR video support feature.
- Animation templates.
- Trackless Magnetic Timeline
- Superior organization tools, including libraries, ratings, tagging, and automatic analysis of faces and scenes
- Support for 360-degree shots and wide color spaces
- Multicam support
- fast performance
- Funky timeline editing may turn off longtime video producers
- Keep track of those import and export experiences in Premiere Pro
- It can run on Microsoft Windows XP, VISTA, 7, 8, 8.1, and 10.
- It can also run on Mac OS and Linux operating systems.
- Minimum 2.0 GHz processor required.
- 512MB of RAM must be required.
- It can only work on 32 and 64 bits.
- At least a 200 MB Disk must be needed.
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